Interview: Matthew Lyons - Composer, Performer, Arranger

Matthew Lyons is an Austin based composer, performer, and arranger. Lyons was recently commission by the ACG Trio for their November 24th performance at Skyspace. In this interview, he discusses his compositions, and specific challenges and inspirations for the Skyspace piece. 


Earliest experiences in music? 

My earliest musical memory is listening to Beatles albums on cassette in the car - I had the albums memorized by color as opposed to name, so I’d say “Green one!” (perhaps that was Rubber Soul, for example).

I began studying guitar in 3rd grade. I took classical lessons, but wanted to be in a rock band. A pivotal moment was playing a song I wrote in the 5th grade talent show about my two Dachshunds, with my friend Chris playing rhythm guitar. When I ended the song by laying on the whammy bar (attached to the bridge of the guitar, moves the pitch up and down) all the other kids present thought that was just the coolest.

 

What led you into composition?

I’ve always written music, since I began taking guitar lessons. As my playing evolved, so did my compositional language. I chose to study classical guitar for my undergrad, but my teacher encouraged me to lean into composing more. After I developed a hand injury that made further classical guitar studies no longer an option, I decided to start studying composition at UT Austin, and quickly realized that I was on the right path.

Can you talk about some of the themes you explore in your music? Both as a composer and performer?

Each of my pieces tends to take on a different narrative - the only themes I can think of in my music are more abstract, such as a focus on colorful, jazz-inspired harmony, and themes and textures that both engage the audience while sometimes challenging them. It’s important to me that whatever might be interesting or engaging about my music is apparent on the surface. As a guitarist-composer, anything I write for guitar always has the intention of stretching the existing repertoire in some way. One thing I’ve experimented with recently is guitar and live electronics with a computer processing sound in real time.

What are some influences in your work? 

My favorite composers are J.S. Bach and Maurice Ravel, even though my music doesn’t sound at all like the former. Within the current climate of “classical music” (whatever that even means any more) I find myself gravitating towards composers and styles that are openly influenced by minimalism,”post-minimalism,” and/or popular styles. My favorite living musician is the jazz pianist Brad Mehldau - I listen to his music probably more than all other music combined. Something about it resonates with me - his integration of classical technique and form into original compositions and  jazz versions of popular songs (including Radiohead and The Beatles). The Beatles have always been my favorite band, and the charm of their music and personalities is something I can only try to emulate.

What are you hoping to accomplish with this composition in Skyspace? 

Just as the gazers’ focus in the installation shifts between the sky and the changing colors of the installation, I want the music to be on the threshold of attention, sometimes engaging the audience more and other times falling into the background of the overall experience.

How does the unusual venue inspire or shape your composition?

As I mentioned before, exploring colorful harmonies and the expressive relationship they create is one of my main compositional impulses. When I went to check out the space, experiencing the slowly shifting colors seemed to me like a great analog for slowly changing harmonic progressions. As someone who has music synesthesia, I associate certain colors with certain harmonies - not so much poetically as literally. The shifting colors of the sky - from brighter, to red, to dark blue - influenced the harmonic structure of the piece. 

What challenges does it present? 

Some practical issues include the fact that the piece is about a third the amount of time that the audience will be in the installation (although people can technically come and go as they please), and so when and how exactly to start and end will be unconventional for both audience and performers.


More information about SkySpace can be found on UT-Austin's website